If you’ve read one Yiddish play in your life, chances are it’s Sholem Asch’s God of Vengeance. If you haven’t read it, don’t worry: Paula Vogel and Rebecca Taichman’s Indecent, having in New Haven this month, is a delightful, unexpected, and surprising play about Asch’s play and a masterful exploration of the theatrical past and present. A hit play written in Yiddish in 1907 by a largely unknown 27-year-old from Kutno, God of Vengeance tells the story of a brothel-owning Jew who hopes he can keep his teenage daughter pure and holy, even though his money derives from the business of sin. Of course, he can’t.

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The play had its premiere in German translation at the world-famous Deutsches Theater in Berlin, and within months it had been produced in Russian in Moscow, and in Yiddish in both New York and Chicago. Plays about brothels weren’t unusual then. A few years earlier, George Bernard Shaw’s Mrs. Warren’s Profession had beaten the censors in London and New York, and Peretz Hirschbein had published Miriam in Hebrew and Yiddish; in the years that followed, Jewish pimps and prostitutes could be found everywhere from the stories of Sholem Aleichem to. What distinguished was the play’s stark, moody dualism. A family’s home is built directly on top of the “cellar-brothel,” and the play stages a fierce, metaphorical battle between high and low, good and evil, kosher and trayf. As Isaac Goldberg, whose was used for American productions in the 1920s, noted in his foreword, unlike Shaw’s play, Asch’s wasn’t “sociological” in intent, but rather a work of “poetic realism” with “symbolic power.”.

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Three market cryptoactives showed remarkable increases above 100 and even 200% in one of the cases during the afternoon of Monday for various reasons, although none is still among those with the highest estimated capitalization. He heads the movements of the three assets identified Asch ( XAS), a crypto-currency associated with a decentralized platform for the development of applications from China, whose demand capacity is a key factor in the behavior of the market for cryptocoins both on general interest assets and Bitcoin or Ethereum as on others of lesser diffusion. In this context, its price soared 271% to $ 1.06 per unit, accumulating a market capitalization that exceeds $ 80 million after a day that totals about $ 31.68 million in transactions registered in the exchange house Jubi. Asch celebrated this month the launch of its virtual wallet for Android and is attributed an increasingly popular adoption and trust base for its users. However, there are doubts about the process to undermine this new asset available since last April, as well as complaints from members of the community who work with it outside China and find no alternatives for withdrawals at the moment.

Similarly, the asset FirstBlood (1ST), ranked 33rd in the ranking by market value, reported a rise of more than 146% in its quotation until it stood at 2.6 dollars or 0.00103965 BTC per unit. Its volume of transactions in the last day was over 83 million dollars and increased its total estimated volume over $ 224 million. 1ST was conceived almost a year ago, based on Ethereum, with an initial capitalization estimated at 5.5 million dollars and thought as an online platform for electronic sports (video games) supported in blockchain.

Last June 12 saw the start of an award-winning championship for the European region that is now approaching its final stage. Finally, Antshares (ANS) cryptocoin not available for mining, has experienced a rise of more than 140% to position about 11.4 dollars per unit, after operations totaling more than 260 million dollars and guarantee a market capitalization Total of more than $ 541 million.